The Fig Tree
Posted: March 29, 2015 Filed under: Art, Painting/Drawing, Prose, Writing | Tags: choices, fig, life, metaphor, Sylvia Plath, the bell jar, The Fallen Fig, the fig tree, Theodoros Stamos Leave a comment
The Fallen Fig. Theodoros Stamos. 1949
“I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn’t quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn’t make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
From The Bell Jar by Sylvia Plath
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The Rival
Posted: March 14, 2015 Filed under: Poetry, Writing | Tags: moon, rival, Sylvia Plath Leave a commentBy Sylvia Plath
If the moon smiled, she would resemble you.
You leave the same impression
Of something beautiful, but annihilating.
Both of you are great light borrowers.
Her O-mouth grieves at the world; yours is unaffected,
And your first gift is making stone out of everything.
I wake to a mausoleum; you are here,
Ticking your fingers on the marble table, looking for cigarettes,
Spiteful as a woman, but not so nervous,
And dying to say something unanswerable.
The moon, too, abuses her subjects,
But in the daytime she is ridiculous.
Your dissatisfactions, on the other hand,
Arrive through the mailslot with loving regularity,
White and blank, expansive as carbon monoxide.
No day is safe from news of you,
Walking about in Africa maybe, but thinking of me.
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Cut
Posted: December 14, 2014 Filed under: Art, Photography, Poetry, Writing | Tags: blood, bull, chopping, cut, Daniela Edburg, Jamon Jamon, onion, Spain, Sylvia Plath, thumb Leave a commentExtract from Sylvia Plath‘s poem “Cut”
What a thrill —
My thumb instead of an onion.
The top quite gone
Except for a sort of a hinge
Of skin,
A flap like a hat,
Dead white.
Then that red plush.
Jamon Jamon. Daniela Edburg.
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Letter in November
Posted: November 30, 2014 Filed under: Art, Painting/Drawing, Poetry, Writing | Tags: American, Hernan Bas, Letter in November, november, optimism, rain, Sylvia Plath Leave a commentBy Sylvia Plath
Love, the world
Suddenly turns, turns color. The streetlight
Splits through the rat’s tail
Pods of the laburnum at nine in the morning.
It is the Arctic,
This little black
Circle, with its tawn silk grasses – babies hair.
There is a green in the air,
Soft, delectable.
It cushions me lovingly.
I am flushed and warm.
I think I may be enormous,
I am so stupidly happy,
My Wellingtons
Squelching and squelching through the beautiful red.
This is my property.
Two times a day
I pace it, sniffing
The barbarous holly with its viridian
Scallops, pure iron,
And the wall of the odd corpses.
I love them.
I love them like history.
The apples are golden,
Imagine it —-
My seventy trees
Holding their gold-ruddy balls
In a thick gray death-soup,
Their million
Gold leaves metal and breathless.
O love, O celibate.
Nobody but me
Walks the waist high wet.
The irreplaceable
Golds bleed and deepen, the mouths of Thermopylae.
The Start of the Rain. Hernan Bas. 2004
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Balloons
Posted: March 14, 2014 Filed under: Art | Tags: 1982, 80s, air, American, Balloon, Boston, float, globe, nature, poet, red balloon, Roman Signer, Sylvia Plath, waterfall Leave a commentBy Sylvia Plath
Since Christmas they have lived with us,
Guileless and clear,
Oval soul-animals,
Taking up half the space,
Moving and rubbing on the silk
Invisible air drifts,
Giving a shriek and pop
When attacked, then scooting to rest, barely trembling.
Yellow cathead, blue fish —-
Such queer moons we live with
Instead of dead furniture!
Straw mats, white walls
And these traveling
Globes of thin air, red, green,
Delighting
The heart like wishes or free
Peacocks blessing
Old ground with a feather
Beaten in starry metals.
Your small
Brother is making
His balloon squeak like a cat.
Seeming to see
A funny pink world he might eat on the other side of it,
He bites,
Then sits
Back, fat jug
Contemplating a world clear as water.
A red
Shred in his little fist.
Balloon Before Waterfall. Roman Signer. 1982.
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Mirror
Posted: February 3, 2014 Filed under: Poetry, Writing | Tags: American, Boston, Crossing the Water: Transitional Poems, lake, mirror, poet, reflection, Sylvia Plath, truth, woman Leave a commentBy Sylvia Plath
I am silver and exact. I have no preconceptions.
Whatever I see I swallow immediately
Just as it is, unmisted by love or dislike.
I am not cruel, only truthful —
The eye of a little god, four-cornered.
Most of the time I meditate on the opposite wall.
It is pink, with speckles. I have looked at it so long
I think it is part of my heart. But it flickers.
Faces and darkness separate us over and over.
Now I am a lake. A woman bends over me,
Searching my reaches for what she really is.
Then she turns to those liars, the candles or the moon.
I see her back, and reflect it faithfully.
She rewards me with tears and an agitation of hands.
I am important to her. She comes and goes.
Each morning it is her face that replaces the darkness.
In me she has drowned a young girl, and in me an old woman
Rises toward her day after day, like a terrible fish.
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Dance of Death
Posted: October 31, 2013 Filed under: Art, Poetry, Writing | Tags: death, Edge, ghost, halloween, puppet, Richard Harris collection, skeleton, suicide, Sylvia Plath, Wellcome, woman 1 Comment
Skeleton Puppet, courtesy The Richard Harris Collection.
Edge
By Sylvia Plath
The woman is perfected.
Her dead
Body wears the smile of accomplishment,
The illusion of a Greek necessity
Flows in the scrolls of her toga,
Her bare
Feet seem to be saying:
We have come so far, it is over.
Each dead child coiled, a white serpent,
One at each little
Pitcher of milk, now empty.
She has folded
Them back into her body as petals
Of a rose close when the garden
Stiffens and odors bleed
From the sweet, deep throats of the night flower.
The moon has nothing to be sad about,
Staring from her hood of bone.
She is used to this sort of thing.
Her blacks crackle and drag.
