In this painting, as well as others, Frida’s preoccupation with death is revealed. In real life Frida did have a papier-mâché skeleton (Juda) on the canopy of her bed. Diego called it “Frida’s lover” but Frida said it was just an amusing reminder of mortality. Frida and the skeleton both lie on their side with two pillows under their head. While Frida sleeps the skeleton is awake and watching. The bed appears to ascend into the clouds and the embroidered vines on her bedspread seem to come to life and begin to entwine with her body. The roots at the foot of the bed appear to have been pulled out of the ground. The skeleton’s body is entwined with wires and explosives that at any moment could go off… making Frida’s dream of death a stark reality. In this painting and in others, Frida uses the “Life/Death” theme…the plants representing the rebirth of life and the skeleton representing death.
Text from FridaKahloFans
“If a story seems too random, or perhaps too brilliant, for a “madman” to have conceived of it himself, then consider that the “author” might be reality and the “madman” just the reader. After all, only reality can escape the limits of our imagination.”
From Atmospheric Disturbances by Rivka Galchen