In this painting, as well as others, Frida’s preoccupation with death is revealed. In real life Frida did have a papier-mâché skeleton (Juda) on the canopy of her bed. Diego called it “Frida’s lover” but Frida said it was just an amusing reminder of mortality. Frida and the skeleton both lie on their side with two pillows under their head. While Frida sleeps the skeleton is awake and watching. The bed appears to ascend into the clouds and the embroidered vines on her bedspread seem to come to life and begin to entwine with her body. The roots at the foot of the bed appear to have been pulled out of the ground. The skeleton’s body is entwined with wires and explosives that at any moment could go off… making Frida’s dream of death a stark reality. In this painting and in others, Frida uses the “Life/Death” theme…the plants representing the rebirth of life and the skeleton representing death.
Text from FridaKahloFans
In her performance piece Nude with Skeleton, Serbian artist Marina Abramović uses a replica skeleton to symbolize confrontation with death. The work refers in part to an ancient Tibetan tradition in which Buddhist monks meditate on life, death and mortality by sleeping with skeletons of various stages of decomposition on consecutive nights. Abramović explains, ‘The work is really about facing your own mortality. It’s something that in our life we fear the most. It is about fear of pain and fear of dying”