The Sea! Rhythm of Digression

Sketch in the Sand

A poem by Oliverio Girondo

*
The morning strolls along the beach dusted with sun.

Arms.
Amputated legs.
Bodies intermingling.
Floating rubber heads.

Tossing the bodies of the bathers, the waves spread their shavings along the sawdust beach.

Everything is blue and gold!

The shade of the cabanas. The eyes of girls who inject themselves with novels and horizons. My joy, in rubber-soled shoes, that makes me bounce along the sand. For eighty cents, photographers sell the bodies of the bathing women.

There are kiosks that exploit the drama of the coast. Moody servant girls. Irascible soda water, with a hint of brine. Rocks with the seaweed breast of a sailor and the painted heart of a fencer. Flocks of seagulls that mimic the weary flight of a scrap of paper.

And above all, the sea!
The sea! Rhythm of digression. The sea! with its spittle and its epilepsy.

The sea! . . . until you scream
ENOUGH!
like at the circus.

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Massimo Vitali

See more on the Beach


On The Beach

Here are some breathtaking photographs of the sea/beaches by two highly influential photographers: Richard Misrach and Massimo Vitali. Immerse yourself in the fantastic shades of turquoise.

Richard Misrach

In his series On the Beach, Californian photographer Richard Misrach studies human interaction and isolation through aerial photographs (taken from hotel balconies) of beaches in Hawaii. Misrach says, “I always thought about it as being a god’s-eye view, looking down and seeing these amazing human interactions.” Richard Misrach ON-THE-BEACH-Untitled-394-03-2003misrach2misrachswimmer119Misrachmisrachmisrach

Massimo Vitali

Italian photographer Massimo Vitali has been documenting crowds since 1994, studying how and where people gather. Nature vs colonisation. These photographs are taken in Greece and Brazil. “Upon these swaths of water, sand, and sky are people parked and splayed, inactive, passive, disinterested, as neutral as grains of sand in an hourglass or the dots on a box of dominoes spilled out of their box onto a blanket… [Massimo Vitali] illuminates the apotheosis of the Herd”  (What the Butler Saw)

“I have tried to avoid behaviour that is too focused on everyone doing the same thing. e.g a football stadium, where everyone is looking and reacting in the same way. I focus on groups of people, but I try to photograph them at times when they are not doing the same thing, in situations where they are free to maintain their own personality and individuality.”  From an interview with Massimo Vitali 

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