The “Listen” series focus on Iranian professional female singers who have been unable to perform solo or to produce their own music since the revolution in 1979. Tavakolian brought these singers to a private studio, and filmed/photographed them performing in front of a chintzy ‘70’s-era backdrop to an imaginary audience. The power of the series lies in the absence, the silence of their passionate performances.
In addition to her portraits of girls and singers, Tavakolian also created fictional CD covers (which metaphorically remain empty) that portray her own interpretation of Iranian society.Tavakolian writes, “For me a woman’s voice represents a power that if you silence it, imbalances society and makes everything deformed. The project ‘Listen’ echoes the voice of these silenced women. I let Iranian women singers perform through my camera while the world has never heard them.” For anyone interested in hearing more from Tavakolian, here is a brief video interview.
La Gerbe (The Sheaf) is a large-scale ceramic mural by Henri Matisse which was commissioned in the early 1950s by Sidney and Frances Brody for their new home in California. The mural occupied a large empty wall in their sunny patio, and was the centrepiece of their home. Apart from La Gerbe, the Brodys had an extraordinary collection of modern art which included works by Picasso, Braque, Giacometti, Calder, and Moore, all of which were displayed in their elegant home designed by Quincy Jones.
Frances described the mural as having “a marvellous luminosity” and said “its simplicity of design never fails to bring warmth, gaiety, color and beauty to an area observed by all who pass through any part of the house. This is truly the heart of our home.”
LACMA has published the amusing account Frances Brody wrote on her experience commissioning the ceramic mural from Matisse. Click here to read it. The mural Apollo (pictured below) was Matisse’s initial proposal for the Brodys’ commission, they rejected it and persuaded him to make a new design. Frances wrote in the manuscript that she “disliked it intensely”, luckily she was thrilled with his next proposal. This piece is now in the Toledo Museum of Art, Ohio. Personally, I think its beautiful also, but maybe not as appropriate for the setting.
In 2010, after Frances’ death, La Gerbe was relocated (a very difficult operation considering its weight of 1,000 Kg.) to LACMA, The Los Angeles County Museum of Art.
It doesn’t look half as magical without the tree and the warm and comfortable ambiance, but still, if it means more people can enjoy it, it’s ok with me. There’s still something wonderful and fulfilling about walking through an art museum/gallery, standing and gazing at works of art. I hope someday I’ll stand in front of this one! It makes me wonder, although Matisse is one of my all-time favourite artists, and I’m in love with this mural, if I lived with it, would it lose its magic?
Images thanks to LACMA