Le Tribut

Le Tribut - Marcel Marien, 1985

Le Tribut – Marcel Marien, 1985


Eternal Spring

Eternal Spring. Auguste Rodin.

Eternal Spring. Auguste Rodin. 1906-7.


Embrace

[Street Scene- Couple Kissing on Building Steps, New York City. Leon Levinstein. 1988.

Street Scene- Couple Kissing on Building Steps, New York City. Leon Levinstein. 1988.


Breathing In/Breathing Out

‘We are kneeling face to face, pressing our mouths together. Our noses are blocked with cigarette filters. I am breathing in oxygen. I am breathing out carbon dioxide.’

In their performance piece Breathing In/Breathing Out Marina Abramovic and Ulay blocked their noses with cigarette filters and clamped their mouths tightly together, breathing in and out each other’s air.  After seventeen minutes they both fell to the floor unconscious. The viewers could sense the tension through the sound of their breathing, which was augmented through microphones attached to their chests.  Is it a beautiful romantic gesture or a comment on how relationships absorb and destroy an individual?

“Something tender and violent at the same time emerges from the performance: the couple are decided to stick together despite the effort, the danger, the damage; but as is the case with human relations of this kind of intensity, they end up with violence, pain, and a part of each other ‘dead’. It is the idea of interdependency portrayed to its extreme.” Interartive

abramovic breathing in breathing out

Breathing In/Breathing Out. Marina Abramovic and Ulay. 1977.

Breathing In/Breathing Out. Marina Abramovic and Ulay. 1977.

Breathing In/Breathing Out. Marina Abramovic and Ulay. 1977.


Blindness

The Lovers. René Magritte. 1928

The Lovers. René Magritte. 1928

What is ecstasy? The boy banging on the keyboard feels an enthusiasm (or a sorrow, or a delight), and the emotion rises to such a pitch of intensity that it becomes unbearable: the boy flees into the state of blindness and deafness where everything is forgotten, even oneself. Through ecstasy, emotion reaches its climax, and thereby at the same time its negation (its oblivion).

Ecstasy means being “outside oneself,” as indicated by the etymology of the Greek word: the act of leaving one’s position (stasis). To be “outside oneself” does not mean outside the present moment, like a dreamer escaping into the past or the future. Just the opposite: ecstasy is the absolute identity with the present instant, total forgetting of past and future. If we obliterate the future and the past, the present moment stands in empty space, outside life and its chronology, outside time and independent of it (this is why it can be likened to eternity, which too is the negation of time).

From Testaments Betrayed (1993) by Milan Kundera


Kitaj in Hamburg

Where the Railroad Leaves the Sea. R. B. Kitaj. 1964.

Where the Railroad Leaves the Sea. R. B. Kitaj. 1964.

The Rise of Fascism. R. B. Kitaj. 1975-9.

The Rise of Fascism. R. B. Kitaj. 1975-9.

A Life. R. B. Kitaj. 1975.

A Life. R. B. Kitaj. 1975.


Palm Trees

Have you ever kissed a palm tree?

Kissing Series: Simone Palm Trees (Near). John Baldessari. 1975.

Kissing Series: Simone Palm Trees (Near). John Baldessari. 1975.

Simone Palm Trees (Near) 1975