Swab 2015

Originally published on Pink and Brown Magazine

Once again we share some of the highlights from the Swab International Contemporary Art Fair, Barcelona. There were many fantastic artists to discover, here are our top five finds, in no particular order:

Juan Escudero in Galería Alegría, Madrid:

Galería Alegría represented Juan Escudero within the programme of Drawing Applications. Born in Bilbao and currently based in Barcelona, Juan Escudero’s drawings are simple, yet incredibly detailed, and form part of his series Piel (Skin). In them he explores the act of drawing a line and the natural wave and forms which can emerge naturally from that action. Using india ink, the artist draws line after thin line upon the paper, creating the effect of waves and textures from their varying closeness. They are abstract and process-lead drawings in which you can get lost and imagine different possibilities, one of which could be that they detail the relief of a landscape, like a topographic map.

Juan Escudero

Juan Escudero

Estefania Peñafiel Loaiza in Galerie Alain Gutharc, Paris:

Presented under Solo Swab, a programme curated by Direlia Lazo and Carolina Ariza which presents individual Latin American artists whose work is of a procedural and documentary nature. Estefania Peñafiel Loaiza, an Ecuadorian artist based in Paris, exhibited a fascinating project. In her piece Untitled (Extras), 2009-2014, the artist used an eraser to remove the bodies and faces of anonymous people found in newspapers. She collected the eraser residue of each individual and stored them separately in tiny glass vials. Presented are a few of the newspapers, in which we can see large blurred areas where she has erased, a display case filled with hundreds of glass vials, arranged and labeled like scientific specimens, and a list which documents each person erased (the newspaper and date they were taken from) and links it to the corresponding vial. A tribute to the “extras” in our everyday life and a reminder of the many things that go unsaid, unnoticed, or unrecognized. Galerie Alain Gutharc was awarded the prize for Best Art Gallery at Swab 2015, sponsored by the Fundació Banc Sabadell.

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Estefania Peñafiel Loaiza

Teresa Solar Abboud and Belén Zahera in Salón, Madrid

Shown within the Swab Seed programme, curated by David Armengol and representing independent spaces dedicated to contemporary art, Salón presented a compelling exhibition of ceramics. Based on a text from Gulliver’s travels, the project explores the physicality of language, playing with ways of representing words as objects, giving shape to a gesture or a vocal cord. Teresa Solar Abboud, for example, materialised sign language by moulding her clay based on the gestures, spelling out words like “chicken” by putting together the shapes imprinted by her hands when forming each letter. The objects were arranged on a shelving unit, and moved around each day and combined in different ways, creating new dialogues and connections every time.

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Teresa Solar Abboud and Belén Zahera

Luisa Jacinto, Germán Portal and Gloria Martín in Galería Silvestre, Tarragona:

Galería Silvestre had a fantastic booth inside the Swab General Programme with many wonderful artists and an inspired presentation. While I enjoyed all their proposals, the highlight was discovering these three painters. Luisa Jacinto has a way with colour and brushstrokes, her paintings transmit a kind of serenity while retaining a sense of mystery which keeps the viewer wondering what is happening on the canvas. Germán Portal‘s paintings have a surreal edge. His large and striking painting, Figura al Sol,is clearly inspired by Picasso’s Nude Standing by the Sea, but in Portal’s version the figure is a structure made from cardboard templates. In this humorous series, Vanguardismo DIY, he questions the aura and glorification around certain works of art and artists. Gloria Martín‘s paintings are simple but contemplative and clearly thought-out. She takes everyday objects and visions and by virtue of the attention she shows them, she gives them an importance, turning them into mysterious and meaningful objects.

Javier Ayuso in 3k Art

3k Art is an online art platform which participated in the fair within the MYFAF programme of young galleries. What stood out the most in their stand was the work of Spanish photographer, Javier Ayuso. His series Walking Around (Sucede que me canso de ser perro) draws its inspiration from Pablo Neruda’s eponymous poem in which he reflects on the uncertainties and absurdities of existence and says “it so happens that I’m sick of being a man”. In his photographs Ayuso explores these concerns from the point of view of his dog, captured in moments where he appears almost human. Ayuso draws parallels between human and animals behaviors –encouraging the viewer to reflect upon the animal qualities which can perceived in human behavior as much as the human qualities seen in animals.

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Javier Ayuso

See more of their work in Swab:

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Swab is an art fair dedicated exclusively to young emerging artists – most of the programmes within the fair are restricted to artists aged 45 and under. This year the fair presented 65 galleries from 22 countries, including Spain, Mexico, Cuba, Japan, Greece, and many more.


Karenin

In The Unberable Lightness of Being, Milan Kundera describes an encounter between Tereza and one of her neighbours while she walked with her beloved dying dog, Karenin:

“Along the way, they met a neighbour who was hurrying off to a cow shed in her rubber boots. The woman stopped long enough to ask. ‘What’s wrong with the dog? It seems to be limping. ‘He has cancer,’ said Tereza. ‘There’s no hope.’ And the lump in her throat kept her from going on. The woman noticed Tereza’s tears and nearly lost her temper: ‘Good heavens! Don’t tell me you’re going to bawl your head off over a dog!’ She was not being vicious; she was a kind woman and merely wanted to comfort Tereza. Tereza understood, and had spent enough time in the country to realize that if the local inhabitants loved every rabbit as she loved Karenin, they would be unable to kill any of them and they and their animals would soon starve to heath. Still, the woman’s words struck her as less than friendly. ‘I understand,’ she answered without protest, but quickly turned her back and went her way. The love she bore her dog made her feel cut off, isolated. With a sad smile, she told herself that she needed to hide it more than she would an affair. People are indignant at the thought of someone loving a dog. But if the neighbour had discovered that Tereza had been unfaithful to Tomas, she would have given Tereza a playful pat on the back as a sign of secret solidarity.”

Walking the Dog. Keith Arnatt. 1976-9.

Walking the Dog. Keith Arnatt. 1976-9.

God saw I was Dog / Dog saw I was God. Peter A Hutchinson. 1975

God saw I was Dog / Dog saw I was God. Peter A Hutchinson. 1975

Kundera also talks about man’s dominion over animals:

“The very beginning of Genesis tells us that God created man in order to give him dominion over fish and fowl and all creatures. Of course, Genesis was written by a man, not a horse. There is no certainty that God actually did grant man dominion over other creatures. What seems more likely, in fact, is that man invented God to sanctify the dominion he had usurped for himself over the cow and the horse. Yes, the right to kill a deer or a cow is the only thing that mankind can agree upon, even during the bloodiest of wars. The reason we take that right for granted is that we stand at the top of that hierarchy. But let a third party enter the game –a visitor from another planet, for example, someone to whom God says, ‘Thou shalt have dominion over creatures of all other stars’ — and all at once taking Genesis for granted becomes problematical. Perhaps a man hitched to the cart of a Martian or roasted on the spit by inhabitants of the Milky Way will recall the veal cutlet he used to slice on his dinner plate and apologize (belatedly!) to the cow.”


Arearea

Arearea (joyfulness). Paul Gauguin. 1982.

Arearea (Joyousness). Paul Gauguin. 1892.