The Rough Skin of the Elephant (La piel ruda del elefante, 2013-2015) is the title of a series by the Catalan photographer Pàtric Marín which pictures surprising scenarios of animals escaped from the zoo and trapped inside various spaces in a city – a parking lot and other charmless locations. The photographs caught my attention immediately, apart from being thoroughly well executed, moving, and tragic, they are in perfect harmony with zoowithoutanimals. They are wonderful, see for yourself:
See more of Pàtric’s work in Fotografia a Catalunya
Once again we share some of the highlights from the Swab International Contemporary Art Fair, Barcelona. There were many fantastic artists to discover, here are our top five finds, in no particular order:
Galería Alegría represented Juan Escudero within the programme of Drawing Applications. Born in Bilbao and currently based in Barcelona, Juan Escudero’s drawings are simple, yet incredibly detailed, and form part of his series Piel (Skin). In them he explores the act of drawing a line and the natural wave and forms which can emerge naturally from that action. Using india ink, the artist draws line after thin line upon the paper, creating the effect of waves and textures from their varying closeness. They are abstract and process-lead drawings in which you can get lost and imagine different possibilities, one of which could be that they detail the relief of a landscape, like a topographic map.
Estefania Peñafiel Loaiza in Galerie Alain Gutharc, Paris:
Presented under Solo Swab, a programme curated by Direlia Lazo and Carolina Ariza which presents individual Latin American artists whose work is of a procedural and documentary nature. Estefania Peñafiel Loaiza, an Ecuadorian artist based in Paris, exhibited a fascinating project. In her piece Untitled (Extras), 2009-2014, the artist used an eraser to remove the bodies and faces of anonymous people found in newspapers. She collected the eraser residue of each individual and stored them separately in tiny glass vials. Presented are a few of the newspapers, in which we can see large blurred areas where she has erased, a display case filled with hundreds of glass vials, arranged and labeled like scientific specimens, and a list which documents each person erased (the newspaper and date they were taken from) and links it to the corresponding vial. A tribute to the “extras” in our everyday life and a reminder of the many things that go unsaid, unnoticed, or unrecognized. Galerie Alain Gutharc was awarded the prize for Best Art Gallery at Swab 2015, sponsored by the Fundació Banc Sabadell.
Shown within the Swab Seed programme, curated by David Armengol and representing independent spaces dedicated to contemporary art, Salón presented a compelling exhibition of ceramics. Based on a text from Gulliver’s travels, the project explores the physicality of language, playing with ways of representing words as objects, giving shape to a gesture or a vocal cord. Teresa Solar Abboud, for example, materialised sign language by moulding her clay based on the gestures, spelling out words like “chicken” by putting together the shapes imprinted by her hands when forming each letter. The objects were arranged on a shelving unit, and moved around each day and combined in different ways, creating new dialogues and connections every time.
Galería Silvestre had a fantastic booth inside the Swab General Programme with many wonderful artists and an inspired presentation. While I enjoyed all their proposals, the highlight was discovering these three painters. Luisa Jacinto has a way with colour and brushstrokes, her paintings transmit a kind of serenity while retaining a sense of mystery which keeps the viewer wondering what is happening on the canvas. Germán Portal‘s paintings have a surreal edge. His large and striking painting, Figura al Sol,is clearly inspired by Picasso’s Nude Standing by the Sea, but in Portal’s version the figure is a structure made from cardboard templates. In this humorous series, Vanguardismo DIY, he questions the aura and glorification around certain works of art and artists. Gloria Martín‘s paintings are simple but contemplative and clearly thought-out. She takes everyday objects and visions and by virtue of the attention she shows them, she gives them an importance, turning them into mysterious and meaningful objects.
3k Art is an online art platform which participated in the fair within the MYFAF programme of young galleries. What stood out the most in their stand was the work of Spanish photographer, Javier Ayuso. His series Walking Around (Sucede que me canso de ser perro) draws its inspiration from Pablo Neruda’s eponymous poem in which he reflects on the uncertainties and absurdities of existence and says “it so happens that I’m sick of being a man”. In his photographs Ayuso explores these concerns from the point of view of his dog, captured in moments where he appears almost human. Ayuso draws parallels between human and animals behaviors –encouraging the viewer to reflect upon the animal qualities which can perceived in human behavior as much as the human qualities seen in animals.
See more of their work in Swab:
Swab is an art fair dedicated exclusively to young emerging artists – most of the programmes within the fair are restricted to artists aged 45 and under. This year the fair presented 65 galleries from 22 countries, including Spain, Mexico, Cuba, Japan, Greece, and many more.
Ejercicios de Ruptura, at Victor Lope Arte Contemporáneo, brings together a selection of delicate and mystical drawings by the Colombian artist Johan Barrios in his first solo exhibition in Spain. The soft pencil and charcoal images, drawn over a watercolour background in gray and sepia tones, depict people suspended in moments of contemplation, silence, and quiet actions –because he shows that standing still is also an action in itself. His work pushes the boundaries of drawing, playing with the effect that external elements (a sheet, a light, water) can have on an figure, and how this, in turn, can be captured on paper.
Barrios’ characters are absorbed in curious performances or rituals. Whether they are standing with a bed sheet over their head, holding a paper in front of their face, or calmly meditating in a ray of light, all of their actions seem conscious and deliberate, loaded with meaning and intent. Inmersión de una idea I and II, among the largest pieces in the exhibition, show a woman performing a bizarre ritual with a bowl holding a dark liquid. In one, she submerges her face in it, in the other she soaks her hands. In Lo Efímero I and II a blinding glow emanates from a plate in a girl’s hands and from a girl’s feet.
Also worth noting are the series of small drawings of shadows and lights projected on to people, creating images on top of images, and turning the human form into an object. The figures seem to be in an active state of stillness, holding their breath, absorbed in the effort of being motionless, and in doing so attaching a great significance to what is happening.
But it isn’t only the subject that gives his work its magical quality, it is also the technical skill with which it is accomplished. The detail and realism in the drawings is exquisite, as is the way he captures shadow and light, creating a glow which emanates from the paper. Ejercicios de Ruptura is a must-see, and Johan Barrios is surely one to keep an eye on. His images are beautiful, puzzling, and steeped in mystery; they will not be easily forgotten.
Originally written for P&B Magazine
CaboSanRoque is a Catalan band which has been performing for 14 years and has released 6 albums, but beyond that they are “sound collectors” and artists. The experimental instruments they create are works of art, they look nothing like the compact and streamlined musical instruments we are used to seeing. These are large, complex machines made from scrap objects, including tape measures, shells, typewriters, hockey masks, a cow skull, and even a washing machine making a gentle hum. The objects are assembled into crazy mechanisms which, when activated, create an array of sounds that range from the beautiful to the strange: clicking, squeaking, banging, rattling, hissing and more. The effect is a wild and jazzy orchestra.
The fascinating contraptions are reminiscent of Michel Gondry‘s films The Science of Sleep and Mood Indigo. These films create surreal worlds which are full of bizarre inventions, like the “Pianocktail,” a piano programmed to mix and dispense cocktails. The setting created in this exhibition was similarly surreal and very magical. Whether you were walking around the room observing the strange instruments, or lying on the floor, eyes closed, immersed in the sounds around you, you were likely to experience a sort of trance.
My old Sandy, this burly man with the
soul of a nightingale who blows on mobiles
this nightingale who makes his nest
in his mobiles
these mobiles scraping the bark
of the orange-coloured
where my great friend Sandy lives
Poem written by Miró for their 1961 exhibition “Miró-Calder” at Perls Gallery in New York
Alexander Calder and Joan Miró first met in 1928 when the American artist visited Miró’s studio in Paris. Since then they maintained a deep and mutually inspiring friendship lasting almost 50 years during which they exchanged ideas, letters, paintings and gifts and collaborated on numerous exhibitions. There is a remarkable similarity in their creative sensibility. They were both heavily influenced by the surrealist movement, taking their inspiration from the unconscious, and applied heavy symbolism in their abstractions. They also shared a thematic interest in the circus and astrology.
A song by Giulia y los Tellarini
Last week I had the opportunity to volunteer at the Swab International Contemporary Art Fair in Barcelona. With 60 galleries from all around the world and thousands of visitors, the fair was a resounding success, a wonderful place to discover talented artists and get a taste of the global contemporary art scene. Here are a few highlights:
Perfromance piece by Olek
An Avalanche in a Sugar Bowl by Andreas Schulenburg, 2014, presented by Charlotte Fogh Gallery, Aarhus
Youthful, thieving, and conniving shitheads by Mike Swaney, 2013, presented by Charlotte Fogh Gallery, Aarhus
Sketch for That Night I Dont Remember by Humberto Díaz, 2013, presented by Knoerle & Baettig, Winterthur
Paul Pretzer, presented by Jarmuschek+Partner, Berlin
Gas Chevron by David LaChapelle, 2012
Reality is Spam by Enrique Baeza presented by Me & the Curiosity, Barcelona
Roland Darjes presented by Pantocrátor Gallery, Shanghai