Residue

By Carlos Drummond de Andrade

From everything a little remained.
From my fear. From your disgust.
From stifled cries. From the rose
a little remained.

A little remained of light
caught inside the hat.
In the eyes of the pimp
a little remained of tenderness,
very little.

A little remained of the dust
that covered your white shoes.
Of your clothes a little remained,
a few velvet rags, very
very few.

From everything a little remained.
From the bombed-out bridge,
from the two blades of grass,
from the empty pack
of cigarettes a little remained.

So from everything a little remains.
A little remains of your chin
in the chin of your daughter.

A little remained of your
blunt silence, a little
in the angry wall,
in the mute rising leaves.

A little remained from everything
in porcelain saucers,
in the broken dragon, in the white flowers,
in the creases of your brow,
in the portrait.

Since from everything a little remains,
why won’t a little
of me remain? In the train
travelling north, in the ship,
in newspaper ads,
why not a little of me in London,
a little of me somewhere?
In a consonant?
In a well?

A little remains dangling
in the mouths of rivers,
just a little, and the fish
don’t avoid it, which is very unusual.

From everything a little remains.
Not much: this absurd drop
dripping from the faucet,
half salt and half alcohol,
this frog leg jumping,
this watch crystal
broken into a thousand wishes,
this swan’s neck,
this childhood secret…
From everything a little remained:
from me; from you; from Abelard.
Hair on my sleeve,
from everything a little remained;
wind in my ears,
burbing, rumbling
from an upset stomach,
and small artifacts:
bell jar, honeycomb, revolver
cartridge, aspirin tablet.

From everything a little remained.

And from everything a little remains.
Oh, open the bottles of lotion
and smoother
the cruel, unbearable odor of memory.

Still, horribly, from everything a little remains,
under the rhythmic waves
under the clouds and the wind
under the bridges and under the tunnels
under the flames and under the sarcasm
under the phlegm and under the vomit
under the cry from the dungeon, the guy they forgot
under the spectacle and under the scarlet death
under the libraries, asylums, victorious churches
under yourself and under your feet already hard
under the ties of family, the ties of class,
from everything a little always remains.
Sometimes a button. Sometimes a rat.

luigi_ghirri_lido_di_spina_1973

Lido Di Spina. Luigi Ghirri. 1973.

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The Rough Skin of the Elephant

The Rough Skin of the Elephant (La piel ruda del elefante,  2013-2015) is the title of a series by the Catalan photographer Pàtric Marín which pictures surprising scenarios of animals escaped from the zoo and trapped inside various spaces in a city – a parking lot and other charmless locations. The photographs caught my attention immediately, apart from being thoroughly well executed, moving, and tragic, they are in perfect harmony with zoowithoutanimals. They are wonderful, see for yourself:

Fotografia Catalunya, Raül and Emma, patric marin,

Raül and Emma

Fotografia Catalunya

Wake up, Glòria!

Fotografia Catalunya

Jordi, learn to fly please!

Fotografia Catalunya

Ismael, reflection is for idiots

Fotografia Catalunya

Rita hangs by a thread

Fotografia Catalunya

Xavier, go out of here!

Fotografia Catalunya

Artur’s sad job

Fotografia Catalunya

The end or the beginning

Fotografia Catalunya

Josep, what do you want?

See more of Pàtric’s work in Fotografia a Catalunya


Bored Couples

Bored Couples is Martin Parr‘s humorous study of bored couples around Europe, including Spain, Finland, and the UK, during the 80s and 90s.

“This series of photographs were taken as an opportunity to explore the veracity of the caption.
We do not know if these random couples are bored or not. Who is to say what is authentic when captioned as thus?” Magnum Photos

FINLAND. On board a ferry from Helsinki to Stockholm. From 'Bored Couples'. 1991.

SPAIN. Majorca. Bored Couples. 1993.

martin_parr_bored_couples_05 martin_parr_bored_couples_01 bored-couples Martin Parr martinparr_11 Bored Couples MartinParrBoredCouples


The Salty Tears of a Roach

The Passion According to G.H. (1964) is a disturbing and shocking novel by Brazilian writer Clarice Lispector. Set in Rio de Janeiro, it tells the story of a wealthy woman, G.H, who encounters a cockroach in the service quarters of her apartment. The occurrence leads to a nervous breakdown and an existential crisis and ends in our heroine eating a part of the roach…

“The roach is an ugly and sparkling being. The roach is the other way around. No, no, it doesn’t have a way around: it is that. Whatever is exposed in it is what I hide in me: from my outside being exposed I made my unheeded inside. It was looking at me. And it wasn’t a face. It was a mask. A diver’s mask. That precious gem of rusted iron. Its two eyes were alive like two ovaries. It was looking at me with the blind fertility of its gaze. It was fertilizing my dead fertility. Would its eyes be salty? If I touched them — since I was gradually getting more and more unclean — if I touched them with my mouth, would they taste salty?
I’d already tasted in my mouth a man’s eyes and, from the salt in my mouth, realized he was crying.
But, thinking about the salt in the roach’s black eyes, suddenly I recoiled again, and my dry lips pulled back to my teeth: the reptiles that move across the earth! In the halted reverberation of the light of the room, the roach was a small slow crocodile. The dry and vibrating room. The roach and I posed in that dryness as on the dry crust of an extinct volcano. That desert I had entered, and also inside it I was discovering life and its salt.”

Nuestra Señora de las Iguanas by Graciela Iturbide

Our Lady of the Iguanas. Juchitán, México. Graciela Iturbide. 1979.

Eating a Banana. Sarah Lucas. 1990.

Eating a Banana. Sarah Lucas. 1990.


Swab 2015

Originally published on Pink and Brown Magazine

Once again we share some of the highlights from the Swab International Contemporary Art Fair, Barcelona. There were many fantastic artists to discover, here are our top five finds, in no particular order:

Juan Escudero in Galería Alegría, Madrid:

Galería Alegría represented Juan Escudero within the programme of Drawing Applications. Born in Bilbao and currently based in Barcelona, Juan Escudero’s drawings are simple, yet incredibly detailed, and form part of his series Piel (Skin). In them he explores the act of drawing a line and the natural wave and forms which can emerge naturally from that action. Using india ink, the artist draws line after thin line upon the paper, creating the effect of waves and textures from their varying closeness. They are abstract and process-lead drawings in which you can get lost and imagine different possibilities, one of which could be that they detail the relief of a landscape, like a topographic map.

Juan Escudero

Juan Escudero

Estefania Peñafiel Loaiza in Galerie Alain Gutharc, Paris:

Presented under Solo Swab, a programme curated by Direlia Lazo and Carolina Ariza which presents individual Latin American artists whose work is of a procedural and documentary nature. Estefania Peñafiel Loaiza, an Ecuadorian artist based in Paris, exhibited a fascinating project. In her piece Untitled (Extras), 2009-2014, the artist used an eraser to remove the bodies and faces of anonymous people found in newspapers. She collected the eraser residue of each individual and stored them separately in tiny glass vials. Presented are a few of the newspapers, in which we can see large blurred areas where she has erased, a display case filled with hundreds of glass vials, arranged and labeled like scientific specimens, and a list which documents each person erased (the newspaper and date they were taken from) and links it to the corresponding vial. A tribute to the “extras” in our everyday life and a reminder of the many things that go unsaid, unnoticed, or unrecognized. Galerie Alain Gutharc was awarded the prize for Best Art Gallery at Swab 2015, sponsored by the Fundació Banc Sabadell.

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Estefania Peñafiel Loaiza

Teresa Solar Abboud and Belén Zahera in Salón, Madrid

Shown within the Swab Seed programme, curated by David Armengol and representing independent spaces dedicated to contemporary art, Salón presented a compelling exhibition of ceramics. Based on a text from Gulliver’s travels, the project explores the physicality of language, playing with ways of representing words as objects, giving shape to a gesture or a vocal cord. Teresa Solar Abboud, for example, materialised sign language by moulding her clay based on the gestures, spelling out words like “chicken” by putting together the shapes imprinted by her hands when forming each letter. The objects were arranged on a shelving unit, and moved around each day and combined in different ways, creating new dialogues and connections every time.

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Teresa Solar Abboud and Belén Zahera

Luisa Jacinto, Germán Portal and Gloria Martín in Galería Silvestre, Tarragona:

Galería Silvestre had a fantastic booth inside the Swab General Programme with many wonderful artists and an inspired presentation. While I enjoyed all their proposals, the highlight was discovering these three painters. Luisa Jacinto has a way with colour and brushstrokes, her paintings transmit a kind of serenity while retaining a sense of mystery which keeps the viewer wondering what is happening on the canvas. Germán Portal‘s paintings have a surreal edge. His large and striking painting, Figura al Sol,is clearly inspired by Picasso’s Nude Standing by the Sea, but in Portal’s version the figure is a structure made from cardboard templates. In this humorous series, Vanguardismo DIY, he questions the aura and glorification around certain works of art and artists. Gloria Martín‘s paintings are simple but contemplative and clearly thought-out. She takes everyday objects and visions and by virtue of the attention she shows them, she gives them an importance, turning them into mysterious and meaningful objects.

Javier Ayuso in 3k Art

3k Art is an online art platform which participated in the fair within the MYFAF programme of young galleries. What stood out the most in their stand was the work of Spanish photographer, Javier Ayuso. His series Walking Around (Sucede que me canso de ser perro) draws its inspiration from Pablo Neruda’s eponymous poem in which he reflects on the uncertainties and absurdities of existence and says “it so happens that I’m sick of being a man”. In his photographs Ayuso explores these concerns from the point of view of his dog, captured in moments where he appears almost human. Ayuso draws parallels between human and animals behaviors –encouraging the viewer to reflect upon the animal qualities which can perceived in human behavior as much as the human qualities seen in animals.

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Javier Ayuso

See more of their work in Swab:

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Swab is an art fair dedicated exclusively to young emerging artists – most of the programmes within the fair are restricted to artists aged 45 and under. This year the fair presented 65 galleries from 22 countries, including Spain, Mexico, Cuba, Japan, Greece, and many more.


A Curve Like the Curve of a Buttock

More from How to Be Both by Ali Smith, because it’s full of wonderful things:

“I feel the loss, dull the ache of it cause I had it, the place where his legs met his body, the muscular dark where his tunic flared up in the breeze as he went, I had it like telling the oldest story in the world cause there’s a very pure pleasure in a curve like the curve of a buttock : the only other thing as good to draw is the curve of a horse and like a horse a curved line is a warm thing, good-natured, will serve you well if not mistreated.”

Grete Stern – Dream Nº 16, ca. 1950

Dream Nº 16. Grete Stern. ca. 1950

Photograph showing unidentified male nudes on the beach Photographer Unknown null An initial donation of the papers of Tuke and Gotch was made to the Tate Archive by Mr Brian D. Price in 1990. Additional donations of related material were made in 1991, 1994 and 2002. http://www.tate.org.uk/art/archive/TGA-9019-1-4-5-9-1

Photograph showing unidentified male nudes on the beach. Photographer Unknown. Date Unknown.

Ana Regina Nogueira from series Olhos n'agua

Ana Regina Nogueira from series Olhos n’agua

Martin Parr Lifes a Beach

Life’s a Beach. Martin Parr


Life’s a Beach

Martin Parr has been photographing beach life over many decades, documenting all aspects of this tradition including close ups of sun bathers, swimming dips and picnics in the UK as well as in countries as far apart as China, Argentina and Thailand. This [collection] demonstrates Parr’s engagement with a cherished subject matter, where all absurdities and quirky National behaviours seamlessly fuse together. Text from Magnum Photos
MartinParrLifesABeachmartin-parr-couple-showering-copacabana-beach-2007Martin Parr RioMartin Parr Lifes a BeachITALY. Riva del Garda. 1999. Contact email: New York : photography@magnumphotos.com Paris : magnum@magnumphotos.fr London : magnum@magnumphotos.co.uk Tokyo : tokyo@magnumphotos.co.jp Contact phones: New York : +1 212 929 6000 Paris: + 33 1 53 42 50 00 London: + 44 20 7490 1771 Tokyo: + 81 3 3219 0771 Image URL: http://www.magnumphotos.com/Archive/C.aspx?VP3=ViewBox_VPage&IID=2S5RYD12ILER&CT=Image&IT=ZoomImage01_VForm

ITALY. Lake Garda. 1999.

JAPAN. Miyazaki. Miyazaki Ocean Dome. 1996.