Francis Alÿs has a knack for turning his walks into art. In Albert’s Way, however, his walk is limited to the four walls of his Mexico City studio. For 10 hours per day during 7 days he circled the periphery of the room, adding up to the 118 km of the Camino Ingles, a pilgrimage route from El Ferrol to Santiago de Compostela. His inspiration came from Albert Speer, Hitler’s architect, known for being the only Nazi leader at the Nuremberg war-crimes trials in 1945-46 to admit his guilt: Rumour goes that while jailed in Spandau, Albert Speer walked in circles in the prison patio, pacing the exact distance from one city to another and imagining the places he’d be passing through on his virtual tour around the globe.
In Solar Breath (Northern Caryatids) (2002) Michael Snow records the movements of a curtain in his rural log cabin in Newfoundland, Canada, about an hour before sunset. In it we observe beautiful gentle flutters that occur alongside dramatic gusts which blow the fabric into large balloons only to slam it back into the glass, and out again. Snow says, “While on one level Solar Breath is merely a fixed-camera documentary recording, it is also the result of years of attention”
Kantate (The Ballad of Maria Lassnig, 1992) by Austrian artist Maria Lassnig is the story of her life in 14 verses. A witty and wise commentary on the pains of living. See translated lyrics bellow:
This whole wide world is full of growing grasses
This whole wide world is full of flowers that grow.
And now I am sitting here, – with dreams of yester-year
I’m thinking of the times of long ago.
A babe-in-arms, I was and hardly born
a great wet tear came splashing on my head.
It was my mother dear, – lying lonely and forlorn
she rocked and hugged me, lonesome in her bed.
My early childhood was a real life-drama,
the pots and pans went flying through the air.
The small child screamed aloud: “Stay alive, dear Mamma!”
The poor child suffered from her parents’ war.
I realized from the start, married-life is not made of sugar
a drop of bitterness fell upon my heart.
The good nuns taught me how to read and write
the other children pulled my hair and smiled
I was so slow to learn — and did not like to fight
because I was such a goody-goody child.
The Gods of Fortune gave me no great Beauty.
But one great talent was bestowed on me.
I drew and painted here, – pictures of people clear
like brother Dürer, Rembrandt, Da Vinci.
My darling mother thought this was not proper:
I should be married with a family.
I threw my arms around her feet, fell to the ground:
A man, a child is not my destiny !
The Art Academy was my destination,
I painted better far than any man.
I believe in Art, in Life — and all Creation
That Art should make a better World for Man.
The God of Love just did not like my features
though many suitors clamoured for my hand.
Yet they betrayed me all, – those handsome creatures
I packed my bags and left my native land.
Oh Paris, Home of Arts and velvet drapings,
but Love and Art for me was just a sham
I could try Op-Art, Pop-Art or Tachism
but the Art Mafia always called the game.
America, oh land of hope and glory
the land is mighty and her women strong.
They fight for all their rights, – don’t say they’re sorry
The Macho Men are stung when they do wrong.
The Lady Minister of the Art Department
was wise and friendly , called me home again.
A woman’s aim is high, – she should reach for the sky
a good professor can start her pupils’ fame.
I’ve scrambled up the peaks and reached the summit
my whole long life just lies beneath my feet.
But I’m still searching for — the stone of wisdom
Life’s made me cautious, Life still calls the beat.
I’m growing older and my legs seem longer
but now I love the world with all my might.
My feelings poor and soft, my face is stronger,
my television helps me through the night.
I just don’t feel my life as nearly ended
I still go skiing, ride my motor bike.
And each new day that breaks — brings new dimensions
so Art has kept me young in ways I like.
I know it’s Art so dear, that keeps me young and clear
Art made me thirsty, now fulfilment’s near.
Francis Alys is a Belgian architect turned artist. He went to Mexico City in 1987 to help with a rebuilding program after an earthquake and has been living in Mexico City ever since. He abandoned his career as an architect and started working in a number of media including photography, video, installation, and painting. Alys is an avid wanderer and much of his work draws inspiration from the streets around his studio in Mexico City.
Being Belgian, Alys occupies an interesting position as a foreigner and an immigrant. From his stance as an outsider he presents his version of reality by taking the mundane and shifting it slightly into the absurd or the poetic.
Humor is very important in Alys’ work. He says, “Laughter is a symptom of incomprehension… a simple manifestation of the defeat of intelligence.” But While Alys may make us laugh, he also makes us think, at the core of his work we often find the more brutal implications of city life.
In his video El Gringo, Alys explores the discomfort of being an outsider. Gringo, the Latin American name for Americans is usually used to generalize all white foreigners, this video is a comment on the social tendencies to group people together based on their appearance. In the video the viewer follows the camera down a rural path, a few pot hounds approach and start circling the camera and barking wildly. They get increasingly riled up and begin snarling and baring their teeth. The camera suddenly drops and we are left to assume that the man behind the camera has been bitten.
Need some help getting to grips with Surrealism? The Doctor will see you now.
Peter Capaldi, a former art student, and the latest actor to play Doctor Who, settles down on Freud’s couch to deliver his wry take on the Surrealist movement.
‘Unlock Art’ is Tate’s new short film series, offering a witty inside track on the world of art. Doctor Who actor Peter Capaldi joins forces with rock duo The Kills, comedian Frank Skinner, Girls star Jemima Kirke and other celebrity art fans to introduce some of the big ideas that have shaped art history. A new film is released each month, with topics ranging from the history of the nude and the nature of the art market, to Pop art.
Thanks to Tate, Unlock Series
‘Be careful of books. Be careful with books. Be careful or one can become a weapon-wielder. Be careful or one can become the victim’ -Cai Guo-Qiang
Artist books are not so much books as book-like objects. They are in themselves a work of art, they come in all shapes, sizes and forms, often challenging our notions of what constitutes a book. Artists have come up with some pretty inventive ways of presenting their work, however the most bizarre I have encountered is by Chinese artist Cai Guo-Qiang.
Cai Guo-Qiang’s Danger Book is made up of a series of drawings made using gunpowder and glue. Within the pages is attached a bundle of matches with a string that dangles out of the edge of the book, inviting the reader to pull it and in so doing ignite the book and set off the gunpowder. Thus each book is unique and comes with a kind of performance included in the price.
The video below is a documentation of the process of making a Danger Book:
“Imponderable. Such imponderable human factors as one’s aesthetic sensitivity/the overriding importance of imponderables in determining human conduct.”
In their fascinating performance piece Imponderabilia (1977), Marina Abramovic and Ulay stand naked face to face in the narrow doorway of the Galleria d’Arte Moderna in Bologna. To enter the museum they must squeeze between the two naked artists, choosing to face the man or the woman, meanwhile a camera documents their choice. At once humorous and disturbing, the performance is a study of human behavior where the spectators become the subject. The vulnerability that usually surrounds a nude figure is transferred to the clothed visitor squeezing between Marina and Ulay.
Te Busco y No Te Puedo Encontrar
Set in 1920s Spain, Pablo Berger‘s black and white silent film, Blancanieves (Snow White), reimagines the classic fairy tale amongst bullfighting and flamenco. A must-see!
“I think a movie’s like a paella, you put all of your obsessions in there. But the first idea came with a photo, of bullfighting dwarves, which I saw in this amazing book, España Oculta. Christina Garcia Rodero spent 15 years travelling around villages in Spain, photographing fiestas. These dwarves were looking at me, because they were looking straight at the camera, and somehow I imagined placing a young woman amongst them, a teenager dressed as a bullfighter, and she’s like Snow White. That was it. Then I started pulling the strings.” Pablo Berger