Marcela’s Speech

In this passage from Cervantes’ Don Quixote, the beautiful shepherdess, Marcela, gives a captivating speech defending a woman’s right to choose her own lifestyle after she is blamed for the suffering and death of Grisóstomo, who killed himself when she rejected him:

You all say that heaven made me beautiful, so much so that this beauty of mine, with a force you can’t resist, makes you love me; and you say and even demand that, in return for the love you show me, I must love you.  By the natural understanding which God has granted me I know that whatever is beautiful is lovable; but I can’t conceive why, for this reason alone, a woman who’s loved for her beauty should be obliged to love whoever loves her.  What’s more, it could happen that the lover of beauty is ugly, and since that which is ugly is loathsome, it isn’t very fitting for him to say: “I love you because you’re beautiful; you must love me even though I’m ugly.”  And even if they are well-matched as far as beauty goes, that doesn’t mean that the attraction’s going to be mutual, because not all beauty inspires love.  Some beauties delight the eye but don’t captivate the heart; just as well, because if all beauty did inspire love and conquer hearts, people’s affections would be forever wandering this way and that without knowing where to come to rest – there’s an infinite number of beautiful people, so the affections would be infinite, too.  And, according to what I’ve heard, true love can’t be divided, and must be voluntary, not forced on you.  If this is so, as I believe it is, why do you think I should be obliged to give in to you, just because you say you love me dearly?  Or else tell me this: if heaven had made me ugly instead of beautiful, would I have been right to complain about you for not loving me?

What’s more, you must remember that I didn’t choose this beauty of mine – heaven gave it to me, exactly as you see it, quite freely, without my asking for it or picking it. And just as the viper doesn’t deserve to be blamed for her poison, even though she kills with it, because nature gave it to her, so I don’t deserve to be blamed for being beautiful; because beauty in a  virtuous woman is like a distant fire or sharp sword, which doesn’t burn or cut anyone who doesn’t come too close.  Honor and virtue are ornaments of the soul, and without them the body, even if it is beautiful, shouldn’t seem beautiful.  Well then, if chastity is one of the virtues that most embellish the soul and the body, why should the woman who’s loved for her beauty lose her chastity by responding to the advances of the man who, merely for his own pleasure, employs all his strength and cunning to make her lose it?

I was born free, and to live free I chose the solitude of the countryside….I am the distant fire and the far-off sword….If I’d encouraged him, I should have been false; if I’d gratified him, I should have been acting against my own intentions, better than his…Because a woman who doesn’t love any man can’t make any man jealous, and disabuse must not be confused with disdain.  He who calls me fierce and a basilisk can leave me alone, as something evil and dangerous; he who calls me an ingrate can stop courting me; he who calls me distant can keep his distance; he who calls me cruel can stop following me: because this fierce basilisk, this ingrate, this cruel and distant woman is most certainly not going to seek, court, approach or follow any of them.

Images below are from the Women are Beautiful series by Garry Winogrand, taken in the 1960s and 70s.

Women are Beautiful by Garry Winogrand 1971Untitled from Women are Beautiful by Garry Winogrand 1969Women are Beautiful by Garry Winogrand 3Untitled from Women are Beautiful by Garry Winogrand 1969 2Untitled from Women are Beautiful by Garry Winogrand 1967New York from Women are Beautiful by Garry Winogrand 1968Women are Beautiful by Garry Winogrand

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Poem for the Breasts

By Sharon Olds

Like other identical twins, they can be
better told apart in adulthood.
One is fast to wrinkle her brow,
her brain, her quick intelligence. The other
dreams inside a constellation,
freckles of Orion. They were born when I was thirteen,
they rose up, half out of my chest,
now they’re forty, wise, generous.
I am inside them — in a way, under them,
or I carry them, I’d been alive so many years without them.
I can’t say I am them, though their feelings are almost
my feelings, as with someone one loves. They seem,
to me, like a gift that I have to give.
That boys were said to worship their category of
being, almost starve for it,
did not escape me, and some young men
loved them the way one would want, oneself, to be loved.
All year they have been calling to my departed husband,
singing to him, like a pair of soaking
sirens on a scaled rock.
They can’t believe he’s left them, it’s not in their
vocabulary, they being made
of promise — they’re like literally kept vows.
Sometimes, now, I hold them a moment,
one in each hand, twin widows,
heavy with grief. They were a gift to me,
and then they were ours, like thirsty nurslings
of excitement and plenty. And now it’s the same
season again, the very week
he moved out. Didn’t he whisper to them,
Wait here for me one year? no.
He said, God be with you, God
be with you, God-bye, for the rest
of this life and for the long nothing. And they do not
know language, they are waiting for him, my
Christ they are dumb, they do not even
know they are mortal — sweet, I guess,
refreshing to live with, beings without
the knowledge of death, creatures of ignorant suffering.

Flor Garduño, Los Limones, Mexico, 1998

Flor Garduño, Los Limones, Mexico, 1998