Sun Therapy

Olafur Eliasson‘s installation in the Turbine Hall of the Tate Modern:

The Weather Project, Olafur Eliasson, 2003. Photo by Dan Chung

The Weather Project, Olafur Eliasson, 2003. Photo by Dan Chung

The Weather Project, Olafur Eliasson, 2003.

The Weather Project, Olafur Eliasson, 2003.

“In this installation, The Weather Project, representations of the sun and sky dominate the expanse of the Turbine Hall. A fine mist permeates the space, as if creeping in from the environment outside. Throughout the day, the mist accumulates into faint, cloud-like formations, before dissipating across the space. A glance overhead, to see where the mist might escape, reveals that the ceiling of the Turbine Hall has disappeared, replaced by a reflection of the space below. At the far end of the hall is a giant semi-circular form made up of hundreds of mono-frequency lamps. The arc repeated in the mirror overhead produces a sphere of dazzling radiance linking the real space with the reflection. Generally used in street lighting, mono-frequency lamps emit light at such a narrow frequency that colours other than yellow and black are invisible, thus transforming the visual field around the sun into a vast duotone landscape.”
Text from Tate

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