For anyone who is in Madrid, Artsy has made a great, informative website to guide you through your visit to the annual ARCOmadrid Contemporary Art Fair. And if not, the site is also a great place to browse and discover talented new artists!
Valeska Soares was born in Belo Horizonte, Brazil, in 1957 and, like most of Brazil’s contemporary artists, has been influenced by the historical Baroque and by Neo-Concretism. Her installation, Vanishing Point, is based on the conflict of visual and olfactory perception. In this installation Soares explores the capacity of scent to magnify one’s senses and heighten the connection between sense and reason, body and intellect. It comprises of fifteen steel receptacles filled with amber-coloured perfume. The containers vary in shape and are arranged to form the pattern of a Baroque garden, also alluding to the shape of labyrinths in several architectural traditions. The perfume impregnates the room with a sweet smell which soon becomes overbearing and creates an oppressive atmosphere. The simple and minimalist symmetry created by the steel containers contrasts sharply with the frenzied scent to create a contradictory experience.
In Vanishing Point (1998) Soares explores the fine line between being intoxicated by something and being sickened by it, a concept she frequently involves in her work. When describing the role of perfume in her work, Suarez said “perfume has become a metaphor for possibilities of intoxication. It’s a substance that crosses that border between being pleasurable and being overintoxicating”. In Vanishing Point, the pleasant perfume is something that seduces the viewer, however, once they are immersed in it, it becomes heavy and oppressive. This idea was beautifully represented on the opening night of the installation when bees were lured by the scent of the perfume and fell into the tanks to meet their death.
Vanishing Point fuses elements of the Baroque tradition with contemporary concepts and mediums. The frantic effect of the perfume mimics the excess which is typical of the Baroque period. The installation also has a definite vanitas quality –a common Baroque theme– as the aroma draws attention to the ephemeral character of the garden and the mortality of all living things.
The idea for this piece grows out of Soares’ keen interest in spaces, gardens and various ideas of paradise. Her fascination with scents stems from her interest in ephemeral things, in her work she does not attempt to create a logical narrative but rather give people triggers that activate memories so that they can create their own narratives. Each piece is subjective and can be interpreted in many different ways depending on the context of the person viewing it.
Vanishing Point softens rigid geometric forms with the sensuality of perfumes. However, little by little the perfume evaporates, leaving the message that even though steel structures may outlive sensual transient ones it is the abstract and spiritual that leaves a profound mark on our memory. Soares also wished to underscore the temporality of grandeur and beauty in the “feminine” essence against the enduring geometric maze’s “masculine” presence with its overtones of order and logic.
Francis Alys is a Belgian architect turned artist. He went to Mexico City in 1987 to help with a rebuilding program after an earthquake and has been living in Mexico City ever since. He abandoned his career as an architect and started working in a number of media including photography, video, installation, and painting. Alys is an avid wanderer and much of his work draws inspiration from the streets around his studio in Mexico City.
Being Belgian, Alys occupies an interesting position as a foreigner and an immigrant. From his stance as an outsider he presents his version of reality by taking the mundane and shifting it slightly into the absurd or the poetic.
Humor is very important in Alys’ work. He says, “Laughter is a symptom of incomprehension… a simple manifestation of the defeat of intelligence.” But While Alys may make us laugh, he also makes us think, at the core of his work we often find the more brutal implications of city life.
In his video El Gringo, Alys explores the discomfort of being an outsider. Gringo, the Latin American name for Americans is usually used to generalize all white foreigners, this video is a comment on the social tendencies to group people together based on their appearance. In the video the viewer follows the camera down a rural path, a few pot hounds approach and start circling the camera and barking wildly. They get increasingly riled up and begin snarling and baring their teeth. The camera suddenly drops and we are left to assume that the man behind the camera has been bitten.
By Carol Ann Duffy
Not a red rose or a satin heart.
I give you an onion.
It is a moon wrapped in brown paper.
It promises light
like the careful undressing of love.
It will blind you with tears
like a lover.
It will make your reflection
a wobbling photo of grief.
I am trying to be truthful.
Not a cute card or a kissogram.
I give you an onion.
Its fierce kiss will stay on your lips,
possessive and faithful
as we are,
for as long as we are.
Its platinum loops shrink to a wedding-ring,
if you like.
Its scent will cling to your fingers,
cling to your knife.
My old Sandy, this burly man with the
soul of a nightingale who blows on mobiles
this nightingale who makes his nest
in his mobiles
these mobiles scraping the bark
of the orange-coloured
where my great friend Sandy lives
Poem written by Miró for their 1961 exhibition “Miró-Calder” at Perls Gallery in New York
Alexander Calder and Joan Miró first met in 1928 when the American artist visited Miró’s studio in Paris. Since then they maintained a deep and mutually inspiring friendship lasting almost 50 years during which they exchanged ideas, letters, paintings and gifts and collaborated on numerous exhibitions. There is a remarkable similarity in their creative sensibility. They were both heavily influenced by the surrealist movement, taking their inspiration from the unconscious, and applied heavy symbolism in their abstractions. They also shared a thematic interest in the circus and astrology.
A song by Giulia y los Tellarini