In this painting, as well as others, Frida’s preoccupation with death is revealed. In real life Frida did have a papier-mâché skeleton (Juda) on the canopy of her bed. Diego called it “Frida’s lover” but Frida said it was just an amusing reminder of mortality. Frida and the skeleton both lie on their side with two pillows under their head. While Frida sleeps the skeleton is awake and watching. The bed appears to ascend into the clouds and the embroidered vines on her bedspread seem to come to life and begin to entwine with her body. The roots at the foot of the bed appear to have been pulled out of the ground. The skeleton’s body is entwined with wires and explosives that at any moment could go off… making Frida’s dream of death a stark reality. In this painting and in others, Frida uses the “Life/Death” theme…the plants representing the rebirth of life and the skeleton representing death.
Text from FridaKahloFans
By Paul Eluard
I have not always had this certainty, this pessimism which reassures the best among us. There was
a time when my friends laughed at me. I was not the master of my words. A certain indifference, I
have not always known well what I wanted to say, but most often it was because I had nothing to
say. The necessity of speaking and the desire not to be heard. My life hanging only by a thread.
There was a time when I seemed to understand nothing. My chains floated on the water.
All my desires are born of my dreams. And I have proven my love with words. To what fantastic
creatures have I entrusted myself, in what dolorous and ravishing world has my imagination
enclosed me? I am sure of having been loved in the most mysterious of domains, my own. The
language of my love does not belong to human language, my human body does not touch the flesh
of my love. My amorous imagination has always been constant and high enough so that nothing
could attempt to convince me of error.
By Charles Bukowski
Long walks at night–
that’s what good for the soul:
peeking into windows
watching tired housewives
trying to fight off
their beer-maddened husbands.
In this wonderful series of photographs by Aaron Siskind the artist captures figures suspended in mid air, their bodies contorted into different shapes. Charles Traub, president of the Aaron Siskind Foundation, says about the series:
“I remember quite clearly Aaron’s delight at the Chicago waterfront, where these images were taken. He was particularly enamored of teenagers—their unabashed frolicking and daring, their inherent athleticism. Aaron loved ordinary people—the sights, sounds, and activities that were off the beaten path of the city. In the summer, the Chicago lakefront was a place where everybody gathered. He adored such places that were full of spontaneous and inventive activity.”